Hello again, I thought this was a good time to bring you up to date on our sewing adventures; my friend Lynne is sewing costumes with me.It's great to have someone to work with and we enjoy each others company.
Like so many other costumers sewing at home, I have been happily using a generic folding table as a cutting surface as welll as a sewing/serging table. I felt it was a step-up from either the kitchen table, coffee table or floor that had previously been comandeered for projects. Even still, with a little help from my partner, we were able to make some table leg extentions to raise it up to commercial counter height; I also have a taller set that lifts the table to a comfortable cutting height. Wonderful and so much easier on my back.
It's not very often that I encounter someone who feels as I do about working in the Costume Department, but this video really struck me and I wanted to share it with you.
Costume Designer Allisa Swanson speaks about how central the character is to her design; that she allows her characters be a bit flawed, but believable and not matchy-matchy. Her renderings are great; they clearly show no colour or style conflicts for each scene of that particular episode. She warmly describes the normal working cycle of becoming exhausted, taking some time off to heal, and then raring to go to work on a new project. She's not kidding about the hours; a normal shift is 12 hours and 5 days a week. However, a project may have a shorter shooting schedule, requiring 12 hours a day for 7 days a week; for several weeks.
Costumers the world over, have a great deal in common; our love of costumes, and of crafting fine and wonderful work that is enjoyed by thousands of people, for generations and beyond ..
Take the experience of Jackie Fitzsimmons, for example. Jackie is a highly skilled historical costume maker based at Sands Films, Rotherhithe. Described as a ‘hidden treasure’, Sands Films is a period costume facility, based in a Grade 2 listed granary building located metres away from the Thames. The company has created costumes for countless film, TV, stage and opera productions, including Sweeney Todd, Les Miserables and Harry Potter. One of three generations to work at Sands Films, Jackie followed in her mother’s footsteps 20 years ago, helping with the ironing and washing of costumes. Since then she has worked on every part of the costume process, from sewing and embroidering, to dying fabrics, washing and ironing. Her daughter works alongside her, and her granddaughter of just 8 has recently been bought a sewing machine. Let's let her tell us*;
The slogan 'Our Heroes are Back' is used to announce that, after an absence of one decade, all major pieces in the Rijksmuseum's collection are back where they belong. This is what happens when they suddenly emerge in an unsuspecting shopping mall somewhere in The Netherlands.
I love the reaction of the mall patrons; especially the children ...
IATSE CanadaDon’t Shoot the CostumerThe Art of ManlinessThe Costumer’s ManifestoThe Costumer’s Cafe.com - PodcastsThe Tyranny of StyleCAFTCAD - The Canadian Alliance of Film & Television Costume Arts & DesignFrocktalk
The book The Costumer's Notebook is a 295 page comprehensive handbook for Costumers for stage and film including a full Glossary of stage and film industry terms. Sections include methods and tricks for laundry, dyeing, breakdown, Dresser guidelines and protocols for Stage or Film and various size charts for men and women from shoes to gloves. Other Sections include diagrams showing How to Iron A Shirt, How to Tie a Tie and How to Tie a Bow Tie. Costume fittings, costume lay out and costume storage are also discussed.