Cameron Mackintosh, Sam Fleming and Heather Chockley talk about some of the costumes on The Phantom of the Opera North American Tour.
Elissa Iberti is the head of the Metropolitan Opera’s costume shop, where she oversees the production of nearly 800 outfits for five productions opening this fall. No detail is too small for the costumes adorning some of the world’s biggest opera stars. Indeed, every piece of lace trim, button and sash is important.
As the Costume Shop Assistant at Center Theatre Group,  Whitney Oppenheimer spends her days dyeing fabric, crafting costume pieces, altering garments, and supporting shows’ costume designers in any way she can. In our latest Working in Theatre video, Oppenheimer discusses the skills that have served her best in her profession, the advice that changed her life as a teenager, and what to do when confronted with the word “No.” Wonderful advice, thanks Whitney ...
Costume designer Marion Boyce (of Miss Fisher's Murder Mystery costume fame) speaks about her beautiful work designing costumes for the cast of The Dressmaker...
Check out the steps of design and research, shopping, fittings and finishing ...
  I wish I could say Colleen Atwood  is one of my peeps, but I'm afraid I haven't met her ... as yet;  however, one must remain hopeful. She is well-versed in designing  fantasy; remember these credits: The Huntsman: A Winter's War, Alice, Through The Looking Glass, Edward Scissorhands and Into the Woods, just to name a few. Now she's extending her amazing talents to television shows like Flash, Arrow and Supergirl; giving us all a weekly opportunity to see her work. 
This is a great video discussing Shoe Buckles and18th century reproduction shoes; you'll learn the type of buckles required, how to properly fit the buckle, and how to properly install the buckle.  
Come behind the scenes in the Costume Department at Scottish Opera and find out what went into the making of Donna Elvira's costume for the production of Don Giovanni...
     It's not very often that I encounter someone who feels as I do about working in the Costume Department, but this video really struck me and I wanted to share it with you.     Costume Designer Allisa Swanson speaks about how central the character is to her design; that she allows her characters be a bit flawed, but believable and not matchy-matchy. Her renderings are great; they clearly show no colour or style conflicts for each scene of that particular episode. She warmly describes the normal working cycle of becoming exhausted, taking some time off to heal, and then raring to go to work on a new project. She's not kidding about the hours; a normal shift is 12 hours and 5 days a week. However, a project may have a shorter shooting schedule, requiring 12 hours a day for 7 days a week; for several weeks.
Cynthia MacLennan speaks to us about working with Maggie Smith, fitting actors, and collaboration.
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The Costumer's Notebook,

The book The Costumer's Notebook is a 295 page comprehensive handbook for Costumers for stage and film including a full Glossary of stage and film industry terms. Sections include methods and tricks for laundry, dyeing, breakdown, Dresser guidelines and protocols for Stage or Film and various size charts for men and women from shoes to gloves. Other Sections include diagrams showing How to Iron A Shirt, How to Tie a Tie and How to Tie a Bow Tie. Costume fittings, costume lay out and costume storage are also discussed.