Designing a batsuit can be rather challenging; for example, the batsuit cape needed to drape beautifully and dramatically for those strong scenes, but for other scenes, it needed to ruffle a bit by a gentle breeze. Enjoy comments from costume Supervisors, costume Coordinators, and costume FX artists along with other costume designers and directors. There is even mention of a victorian mangle which we know as the old fashioned wringer part of the wringer-washer that grandmother may have used. But wait, there's more ...

Ray Coble takes us backstage so we can see the costumes for yet another stage hit ...

Costume Designer Montana Blanco discusses his work from Octoroon ...

So, everwondered what the Costume Shop looks like at Disneyland? Take a peek ...

*(Sonnet 43 by Elizabeth Barrett Browning)

Canadian Costume designer Anne Dixon shows us every stitch, hem, and pleat that helped build the world of Anne ...

Costume Designer Ane Crabtree has created the most iconic designs of her career with The Handmaid's Tale.

Elissa Iberti is the head of the Metropolitan Opera’s costume shop, where she oversees the production of nearly 800 outfits for five productions opening this fall. No detail is too small for the costumes adorning some of the world’s biggest opera stars. Indeed, every piece of lace trim, button and sash is important.

Go backstage with PHANTOM performer Jeremy Stolle ("Passarino") and get a glimpse of the costumer's art.

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The Costumer's Notebook,

The book The Costumer's Notebook is a 295 page comprehensive handbook for Costumers for stage and film including a full Glossary of stage and film industry terms. Sections include methods and tricks for laundry, dyeing, breakdown, Dresser guidelines and protocols for Stage or Film and various size charts for men and women from shoes to gloves. Other Sections include diagrams showing How to Iron A Shirt, How to Tie a Tie and How to Tie a Bow Tie. Costume fittings, costume lay out and costume storage are also discussed.